We can't find the internet
Attempting to reconnect
Something went wrong!
Hang in there while we get back on track
Composer David Fleming and showrunner and writer Katie Dippold explore the music of Widow’s Bay, examining how the score helps define the series’ distinctive blend of horror, comedy, mystery, and character.
Read More
The sound of Spider-Noir blends gritty period character with immersive mixing. Re-recording Mixer/Sound Designer Ryan Collins and Re-recording Mixer Nick Offord explore vintage dialogue treatments, atmospheric transitions, distinctive web effects, and inventive sonic details—including a unique sound for Spider-Sense—to create a fresh sonic identity for this new take on Spider-Man.
Read More
In this exclusive SoundWorks Collection conversation, we pull up a chair with the sound team behind THE BEAR to break down Season 4, Episode 3, “Scallop.” Featuring Re-Recording Mixer Steve “Major” Giammaria, CAS, Production Sound Mixer Scott D. Smith, CAS, and Foley Mixer Ryan Collison, CAS.
Read More
Set two years before the events of the original Alien film, FX’s ALIEN: EARTH follows the aftermath of a mysterious spacecraft crash on Earth and introduces a new chapter in the Alien universe, featuring new creatures, technologies, and characters.
Read More
Go behind the scenes of Monarch: Legacy of Monsters with re-recording mixer and sound effects editor Shaughnessy Hare and re-recording mixer Brittany Ellis as they explore the art of building scale, emotion, and immersion through sound. From shaping the massive presence of Titans like Godzilla to crafting intimate, story-driven moments, they break down how sound design, mixing, and music work together to guide the audience’s experience.
Read More
The sound of F1 is built to place the audience directly inside the speed and precision of Formula One racing—where every gear shift, tire scrub, and engine note carries narrative weight. At the heart of this approach is supervising sound editor and sound designer Al Nelson, alongside supervising sound editor Gwendolyn Yates Whittle, who shaped a sonic language that feels both technically authentic and emotionally immersive.
Read More
Go behind the scenes of “Springsteen: Deliver Me From Nowhere”, the new film from Director Scott Cooper. We are joined today by production sound mixer Tod Maitland, composer Jeremiah Frates, Re-recording Mixer and Supervising Sound Editor David Giammarco, and Supervising Sound Editor Eric Norris.
Read More
Step inside the sound design and mix of Paul Thomas Anderson’s newest film, One Battle After Another, with this in-depth look at the work of the sound team. Featuring Re-recording mixer, supervising sound editor, sound designer Chris Scarabosio, Re-recording mixer Tony Villaflor and Production Sound Mixer José Antonio García.
Read More
Sara Bareilles’ song “Salt Then Sour Then Sweet”—written in collaboration with Andrea Gibson and Brandi Carlile for the documentary “Come See Me in the Good Light” directed by Ryan White —is a tender, emotionally charged meditation on healing and self-acceptance. The track carries Bareilles’ signature warmth and lyrical clarity, layered with Gibson’s poetic sensitivity and Carlile’s soulful, roots-driven intuition.
Read More
Go behind the scenes of SINNERS in this exclusive SoundWorks Collection featurette, which explores the creative collaboration that brought the film’s music and sound to life. The sound and music team dive into the ambitious process of crafting a 1930s Southern period piece centered around several groundbreaking musical performances.
Read More
We chat with composer Danny Elfman about his new short film, A Danny Elfman Christmas Story — a whimsical exploration of the unlikely connection between one of Hollywood’s most inventive musical mind and the holiday season. From his hauntingly joyful work on The Nightmare Before Christmas to his fascination with the emotional balance between celebration and melancholy, Elfman’s take on Christmas music is anything but ordinary.
Read More
In our exclusive SoundWorks Collection we chat with Actor, comedian, musician Fred Armisen about creating his new album, 100 Sound Effects.
Read More
Academy Award-winning composer Michael Giacchino returns to Dolby Creator Talks to discuss his bold and emotional score for “The Fantastic Four: First Steps.” In this in-depth conversation with guest host Jon Burlingame, Giacchino shares how he approached scoring one of Marvel’s most iconic franchises, including how he balanced moments of sweeping sincerity with all that pulpy fun.
Read More
Composers John Murphy and David Fleming join guest host Jon Burlingame to discuss their original score for “Superman,” directed by James Gunn. In this two-part conversation, Murphy and Fleming share their personal connections to the character, the emotional and thematic goals of the music, and the creative process of scoring an iconic superhero story for a new generation. They also reflect on the legacy of John Williams’s original theme and how it influenced their approach.
Read More
Director Gareth Edwards returns to Dolby Creator Talks to discuss “Jurassic World: Rebirth,” the latest installment in the iconic dinosaur franchise. He and his sound team share how they crafted the film’s breathtaking sonic landscape — along with the challenges of an accelerated production schedule, and why that constraint ultimately proved creatively liberating.
Read More
When director Joe Kosinski and producer Jerry Bruckheimer set out to make “F1,” their goal was to create the most authentic Formula One film ever made. Recorded in person at Skywalker Sound, this episode features the sound team behind the film, who share how they brought that vision to life. They discuss the extraordinary lengths they went to in order to craft a visceral, true-to-life experience for racing fans and everyday viewers alike — while also highlighting the invaluable support they received from the production and the film’s director, Joe Kosinski.
Read More
August 13, 2026 - 03:45 AM
Composer David Fleming and showrunner and writer Katie Dippold explore the music of Widow’s Bay, examining how the score helps define the series’ distinctive blend of horror, comedy, mystery, and character.
August 12, 2026 - 03:30 PM
The sound of Spider-Noir blends gritty period character with immersive mixing. Re-recording Mixer/Sound Designer Ryan Collins and Re-recording Mixer Nick Offord explore vintage dialogue treatments, atmospheric transitions, distinctive web effects, and inventive sonic details—including a unique sound for Spider-Sense—to create a fresh sonic identity for this new take on Spider-Man.
August 11, 2026 - 12:45 AM
In this exclusive SoundWorks Collection conversation, we pull up a chair with the sound team behind THE BEAR to break down Season 4, Episode 3, “Scallop.” Featuring Re-Recording Mixer Steve “Major” Giammaria, CAS, Production Sound Mixer Scott D. Smith, CAS, and Foley Mixer Ryan Collison, CAS.
August 10, 2026 - 07:00 PM
Set two years before the events of the original Alien film, FX’s ALIEN: EARTH follows the aftermath of a mysterious spacecraft crash on Earth and introduces a new chapter in the Alien universe, featuring new creatures, technologies, and characters.
June 17, 2026 - 04:45 AM
Go behind the scenes of Monarch: Legacy of Monsters with re-recording mixer and sound effects editor Shaughnessy Hare and re-recording mixer Brittany Ellis as they explore the art of building scale, emotion, and immersion through sound. From shaping the massive presence of Titans like Godzilla to crafting intimate, story-driven moments, they break down how sound design, mixing, and music work together to guide the audience’s experience.
February 09, 2026 - 06:15 AM
The sound of F1 is built to place the audience directly inside the speed and precision of Formula One racing—where every gear shift, tire scrub, and engine note carries narrative weight. At the heart of this approach is supervising sound editor and sound designer Al Nelson, alongside supervising sound editor Gwendolyn Yates Whittle, who shaped a sonic language that feels both technically authentic and emotionally immersive.
December 10, 2025 - 08:00 PM
Go behind the scenes of “Springsteen: Deliver Me From Nowhere”, the new film from Director Scott Cooper. We are joined today by production sound mixer Tod Maitland, composer Jeremiah Frates, Re-recording Mixer and Supervising Sound Editor David Giammarco, and Supervising Sound Editor Eric Norris.
December 09, 2025 - 08:00 PM
Step inside the sound design and mix of Paul Thomas Anderson’s newest film, One Battle After Another, with this in-depth look at the work of the sound team. Featuring Re-recording mixer, supervising sound editor, sound designer Chris Scarabosio, Re-recording mixer Tony Villaflor and Production Sound Mixer José Antonio García.
November 25, 2025 - 09:00 PM
Sara Bareilles’ song “Salt Then Sour Then Sweet”—written in collaboration with Andrea Gibson and Brandi Carlile for the documentary “Come See Me in the Good Light” directed by Ryan White —is a tender, emotionally charged meditation on healing and self-acceptance. The track carries Bareilles’ signature warmth and lyrical clarity, layered with Gibson’s poetic sensitivity and Carlile’s soulful, roots-driven intuition.
In this episode, we chat with the sound team from Muse’s Simulation Theory live concert film featuring Supervising Sound Editor & Sound Designer Gerry Vazquez, Re-recording Mixer Aleks von Korff and Re-recording Mixer James Parnell.
Told through the eyes of quirky, charming, and humble bandmates: Shawn, Jon, Matt, and Justin, Bleeding Audio is an intimate portrait detailing The Matches’ promising career, defeating break up, and inspiring reunion, as they reflect on what success truly means for musicians in today’s digital industry.
We chat with Composer Mark Isham about his recent Emmy nomination on the Hulu show, Little Fires Everywhere and explore the close collaboration with Florence + the Machines’ Isabella Summers and drummer Vinnie Colaiuta. We also discuss their work on the Ingrid Michaelson song “Build it Up” and the covers of “In the Air Tonight” sung by Judith Hill and “Bitch” sung by Ruby Amanfu. We also talk about Mark’s recent work on “Bill & Ted Face the Music” to craft the main title using a Prophet-5 and Moog Modular synthesizers and the direct influence the musical group Weather Report had on Mark’s career.
In this conversation we chat with the sound team from Naughty Dog to discuss their extensive work on The Last of Us: Part 2. We explore the gun and foley sound recordings, creating the terrifying sounds of the infected, the whistle language of the Seraphites, the unique glass and breathing sound systems, Ellie’s guitar gameplay sounds and much more!
Netflix’s new limited series Unorthodox follows Esty, a young woman growing up in an ultra-Orthodox community in Brooklyn, as she seeks to escape the restrictive life of her community for a new life in Berlin. But her husband and members of the community want her back home, and follow Esty into her new life, seeking to convince her to return. In this in-depth conversation about the sound design and mix of the show, the sound team discusses getting the authenticity of the ultra-Orthodox community right and how sound helped flashbacks slowly reveal the details of Esty’s story. We also discuss how director Maria Schrader created great sound moments at the script stage, and preserved and created room for those moments as she edited and filmed the show.
Motion Picture Sound Editors (MPSE), the premier organization of entertainment sound editing professionals since 1953, will celebrate the 25th anniversary of David Fincher’s groundbreaking film FIGHT CLUB on Oct. 27 with a special event that includes a screening of the film, followed by an in-depth conversation with the film’s sound designer, Ren Klyce. This invitation-only event, hosted by MPSE Vice President Eric Marks at IMRSV Sound in Berkeley, CA, is part of the MPSE’s ongoing “MPSE Presents” screening series, which highlights sound achievements in film, television, and games with special events in cities across the globe.
Acclaimed composer and song-writer Alan Menken was moved and speechless after a magic ride of concert festivities that culminated with standing ovations by Viennese audiences, while he received the Max Steiner Achievement Award by the City of Vienna. The award was handed to Alan by Viennese City Councillor Peter Hanke and Hollywood in Vienna Founder Sandra Tomek. The ORF Radio Symphony Orchestra under the baton of Michael Kosarin and musical performers lead by Broadway’s Susan Egan and Adam Jacobs performed during a brilliant and elegant concert in Menken’s honor.
WaterTower Music is proud to announce that two albums of music from the New Line Cinema film “Don’t Worry Darling” are now available for digital purchase and streaming, and are also available for Vinyl and CD pre-order from Mondo. Directed by Olivia Wilde (“Booksmart”), “Don’t Worry Darling” stars Florence Pugh (Oscar-nominated for “Little Women”), Harry Styles (“Dunkirk”), Wilde (upcoming “Babylon”), Gemma Chan (“Crazy Rich Asians”), KiKi Layne (“The Old Guard”) and Chris Pine (“All the Old Knives”), and opens today in North American theaters.
Today, the Cinema Audio Society announces its nominees for the 58th Annual CAS Awards for Outstanding Achievement in Sound Mixing for 2021 in seven categories, as well as ten Outstanding Product nominees.
Kick off Awards Season with Mix‘s Shortlist Sneak Peek, offering an early look at some of the contenders for the 2022 Oscars, MPSE Golden Reels and CAS Awards. Shortlist nomination voting for the Oscars begins December 10, so before checking off your ballot, check out our conversations with the sound teams behind some of the top films in contention!